ONE THE ROAD

On the Road (French: Sur la route) is a 2012 Brazilian-French-Canadian^[5] adventure drama film directed by Walter Salles. It is an adaptation of the 1957 novel of the same name by Jack Kerouac. The film stars an ensemble cast featuring Garrett Hedlund, Sam Riley, Kristen Stewart, Amy Adams,Tom Sturridge, Danny Morgan, Alice Braga, Elisabeth Moss, Kirsten Dunst, and Viggo Mortensen. The executive producer was Francis Ford Coppola. Filming began on August 4, 2010, in Montreal, Quebec, with a $25 million budget.

The story is based on the years Kerouac spent travelling the United States in the late 1940s with his friend Neal Cassady and several other figures who would go on to fame in their own right, including William S. Burroughs and Allen Ginsberg.

On May 23, 2012, the film premiered in competition for the Palme d'Or at the 2012 Cannes Film Festival. The film received mixed early reviews after it premiered at the film festival.^[6][7][8] The film also premiered at the 2012 Toronto International Film Festival in September.

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The Silence of the Lambs

The Silence of the Lambs is a 1991 American thriller film that blends elements of the crime and horror genres.^[3] Directed by Jonathan Demme and starring Jodie Foster, Anthony Hopkins, and Scott Glenn, the film is based on Thomas Harris' 1988 novel of the same name, his second to featureHannibal Lecter, a brilliant psychiatrist and cannibalistic serial killer.

In the film, Clarice Starling, a young U.S. FBI trainee, seeks the advice of the imprisoned Dr. Lecter to apprehend another serial killer, known only as "Buffalo Bill".

The Silence of the Lambs was released on February 14, 1991, and grossed $272.7 million worldwide against its $19 million budget. It was only the third film, the other two being It Happened One Night and One Flew Over the Cuckoo's Nest, to win Academy Awards in all the top five categories:Best Picture, Best Actor, Best Actress, Best Director, and Best Writing (Adapted Screenplay). It is also the first Best Picture winner widely considered to be a horror film, and only the second such film to be nominated in the category, after The Exorcist in 1973.^[4][5] The film is considered "culturally, historically or aesthetically" significant by the U.S. Library of Congress and was selected to be preserved in the National Film Registry in 2011.^[6]

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FILM

A film, also called a movie or motion picture, is a series of still images which, when shown on a screen, creates the illusion of moving images due to phi phenomenon. A film is created by photographing actual scenes with a motion picture camera; by photographing drawings or miniature models using traditionalanimation techniques; by means of CGI and computer animation; or by a combination of some or all of these techniques and other visual effects. Contemporary definition of cinema is the art of simulating experiences, that communicate ideas, stories, perceptions, feelings, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations.^[1]

The process of filmmaking is both an art and an industry. Films were originally recorded onto plastic film which was shown through a movie projector onto a large screen; more modern techniques may use wholly digital filming and storage, such as the Red One camera which records onto hard-disk or flash cards.

Films usually include an optical soundtrack, which is a graphic recording of the spoken words, music and other sounds that are to accompany the images. It runs along a portion of the film exclusively reserved for it and is not projected.

Films are cultural artifacts created by specific cultures. They reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment, and a powerful medium for educating—or indoctrinating—citizens. The visual basis of film gives it a universal power of communication. Some films have become popular worldwide attractions by using dubbing or subtitles to translate the dialog into the language of the viewer. Some have criticized the film industry's glorification of violence.^[2]

The individual images that make up a film are called frames. During projection, a rotating shutter causes intervals of darkness as each frame in turn is moved into position to be projected, but the viewer does not notice the interruptions because of an effect known as persistence of vision, whereby the eye retains a visual image for a fraction of a second after the source has been removed. The perception of motion is due to a psychological effect called beta movement.

The name "film" originates from the fact that photographic film (also called film stock) has historically been the medium for recording and displaying motion pictures. Many other terms exist for an individual motion picture, including picture, picture show, moving picture, photoplay and flick. The most common term in the United States is movie, while in Europe film is preferred. Terms for the field in general include the big screen, the silver screen, the movies and cinema; the latter is commonly used in scholarly texts and critical essays, especially by European writers. In early years, the word sheet was sometimes used instead of screen.

Beauty and the Beast
North American theatrical poster for Beauty and the Beast, designed by John Alvin[1]
Directed by	Gary Trousdale Kirk Wise
Produced by	Don Hahn
Screenplay by	Linda Woolverton
Story by	Roger Allers Brenda Chapman Chris Sanders Burny Mattinson Kevin Harkey Brian Pimental Bruce Woodside Joe Ranft Tom Ellery Kelly Ashbury Robert Lence
Based on	"Beauty and the Beast" by Jeanne-Marie Le Prince de Beaumont
Narrated by	David Ogden Stiers
Starring	Paige O'Hara Robby Benson Richard White Jerry Orbach David Ogden Stiers Angela Lansbury Bradley Pierce Rex Everhart Jesse Corti
Music by	Alan Menken
Editing by	John Carnochan
Studio	Walt Disney Pictures Walt Disney Feature Animation
Distributed by	Buena Vista Pictures
Release dates	November 13, 1991(world premiere) November 22, 1991(United States)
Running time	84 minutes (Original version) 91 minutes (Special Edition)
Country	United States
Language	English French
Budget	$25 million[2]
Box office	$424,967,620[2]

Beauty and the Beast is a 1991 American animated musical romantic fantasy film produced by Walt Disney Feature Animation and released byWalt Disney Pictures. Based on the traditional French fairy tale of the same name by Jeanne-Marie Le Prince de Beaumont, Beauty and the Beast is the 30th film in the Walt Disney Animated Classics series. Additionally, it is third in the Disney Renaissance period. Starring Paige O'Hara andRobby Benson, Beauty and the Beast focuses on the relationship between the Beast (Benson), a prince who is magically transformed into a hideous monster as punishment for his selfishness, and Belle (O'Hara), a beautiful young woman who he imprisons in his castle. The film also features the voices of Richard White, Jerry Orbach, David Ogden Stiers and Angela Lansbury, who occupy supporting roles.

Beauty and the Beast (1991 film)

Walt Disney first attempted to adapt "Beauty and the Beast" into an animated feature film during the 1930s and 1950s, but was unsuccessful. Following the unprecedented success of The Little Mermaid (1989), Walt Disney Feature Animation decided to adapt the fairy tale, originally conceived by then-director Richard Purdum as a non-musical. Disney chairman Jeffrey Katzenberg eventually discontinued the idea and ordered that the film be a musical similar to The Little Mermaid instead, resulting in Purdum's resignation. Beauty and the Beast was directed by Gary Trousdaleand Kirk Wise, with a screenplay by Linda Woolverton story first credited to Roger Allers. Lyricist Howard Ashman and composer Alan Menken wrote the film's songs. Ashman, who additionally served as an executive producer on the film, died of AIDS related complications eight months before the film's release, and the film was dedicated to his memory.

Beauty and the Beast premiered at the New York Film Festival on September 29, 1991, followed by a theatrical release on November 22 to critical acclaim. It has also earned a rare "A+" rating from CinemaScore.^[3] The film was a box office success, and has since garnered over $424 million worldwide. Beauty and the Beast was nominated for several awards, winning the Golden Globe Award for Best Motion Picture – Musical or Comedy. Famously, Beauty and the Beast became the first animated film to be nominated for the Academy Award for Best Picture. The film received five additional Academy Award nominations, including Best Original Score, Best Sound, and three separate nominations for Best Original Song. Ultimately, the film won Best Original Score, while Best Original Song was awarded to its title song. In 2002, Beauty and the Beast was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and selected for preservation in the National Film Registry.

In April 1994, Beauty and the Beast became Disney's first animated film to be adapted into a Broadway musical. The success of the film spawned two direct-to-video midquels: Beauty and the Beast: The Enchanted Christmas (1997) and Beauty and the Beast: Belle's Magical World (1998). This was followed by a spin-off television series, Sing Me a Story with Belle. An IMAX special edition version of the original film was released in 2002, with a new five-minute musical sequence, "Human Again", included. After the success of the 3D re-release of The Lion King, the film returned to theaters in 3D under supervision of John Lasseter on January 13, 2012.^[4]

History of "PG-13" movie

          In the United States Wrestling Association in the early 1990s, Jamie Dundee turned on his father and became J.C. Ice, a rapper. Dundee formed a tag team known as PG-13 with Wolfie D. PG-13 dominated the USWA tag team division throughout the mid-1990s, winning the USWA Tag Team Championship on fifteen occasions. After losing to Bill Dundee, PG-13 were obliged to leave the USWA. They returned shortly thereafter under masksas The Cyberpunks, with Dundee known as "Ice" and Wolfie D known as "Fire". After some time, The Cyberpunks unmasked and reverted to being PG-13.^[1]

        In a September 1995 TV taping of Monday Night Raw, PG-13 appeared with the World Wrestling Federation, appearing in two broadcasts, the latter against tag team champions The Smoking Gunns .They then re-appeared at Survivor Series 1996 as members of the Nation of Domination. Later that year, PG-13 appeared with Extreme Championship Wrestling, where they became known for goading the audience and their opponents. They wrestled The Dudley Boyz, The Eliminators, Spike Dudley, and Mikey Whipwreck.

         In the early 2000s, PG-13 wrestled briefly for World Championship Wrestling, appearing mainly on WCW Thunder. They frequently had matches with the Jung Dragons and Three Count. Subsequently, PG-13 appeared with Memphis Wrestling.

         In early 2010, PG-13 reunited winning the tag team titles in Showtime All-Star Wrestling from Derrick King Enterprises at SAW Unfinished Business.^[2]

On Feb 5th 2011, PG-13 appeared in Corydon, Indiana, wrestling for XCW.

"why nude scene in cinema?"

Nudity in film is any presentation in films that involves people who are naked or wearing less clothing than contemporary norms consider modest. The presentation of nudity in films or otherwise has since the development of the medium been controversial, and most nude scenes in films have had to be justified as being part of the story, in the concept of "artistically justifiable nudity". In some cases nudity is itself the object of a film or is used in the development of the character of the subject. In some cases, nudity has been criticized as "superfluous" or "gratuitous" to the plot, and some film producers have been accused of including nudity in a film to appeal to certain audiences. Many actors and actresses have appeared nude, or exposing parts of their bodies or dressed in ways considered provocative by contemporary standards at some point in their careers.

         Nudity in film should be distinguished from sex in film. Erotic films are suggestive of sexuality, and usually contain nudity, though that is not a prerequisite. Nudity in a sexual context is common in pornographic films, but softcore pornographic films generally avoid depiction of a penis or a vagina. A film on naturism or about people for whom nudity is common may contain non-sexual nudity, and some other non-pornographic films may contain very brief nude scenes. The vast majority of nudity in film is found in pornographic films.

       Nude scenes can be controversial in some cultures because they may challenge some of the community's standards of modesty. These standards vary by culture, and depend on the type of nudity, who is exposed, which parts of the body are exposed, the duration of the exposure, the pose, the context, and other aspects. Regardless, in many cultures nudity in film is subject to censorship or rating regimes which control the content of films, with the intention of limiting content that is deemed by the classification authorities or the movie industry, or both, to be harmful or undesirable, morally or otherwise.

      Many directors and producers apply self-censorship, limiting nudity (and other content) in their films, to avoid external censorship or a strict rating, in countries that have a rating system.^[1]Directors and producers may choose to limit nudity because of objections from actors involved, or for a wide variety of other personal, artistic, genre-bound or narrative-oriented reasons.

      Over the years, the nudity in film was a source of scandal and provocation; but its presence today is treated largely naturally, frequently with nudity being shown in scenes that naturally require it, such as those that take place in nature or in the bathroom or in love scenes. For example, The Blue Lagoon (1980), by Randal Kleiser, shows the awakening of the sexual instinct in two shipwrecked young people on a tropical island where nudity is part and parcel of the natural environment in which they move. The relationship between a painter and his model, who traditionally poses in the nude, is the context of a number of films. In La Belle Noiseuse ("The Beautiful Liar", 1991), by Jacques Rivette, the painter's model motivates him again after a period of lack of inspiration of the artist. Similarly, in Titanic (1997), by James Cameron, Kate Winslet poses nude for Leonardo DiCaprio. These films show the close relationship between film and the traditional art nude in art in films such as The Adventures of Baron Munchausen (1988), by Terry Gilliam, where Uma Thurman poses as Botticelli's The Birth of Venus, and Goya in Bordeaux (1999) by Carlos Saura, where Maribel Verdú poses as Goya's The Naked Maja.

In the Victorian period, two young cousins, Richard and Emmeline Lestrange, and a galley cook, Paddy Button (Leo McKern), survive a shipwreck in the South Pacific and reach a lush tropical island. Paddy cares for the small children and forbids them by "law" from going to the other side of the island, as he found evidence of remains of bloody human sacrifices. He tells them the bogeyman lives there as a way to make sure they do not go there. He also warns them against eating a certain scarlet berry Emmeline has found which is apparently deadly.

Paddy soon dies after a drunken binge and his body is discovered by Richard and Emmeline. Now alone, the children go to another part of the island and rebuild their home. They survive solely on their resourcefulness, skills that Paddy had taught them and the bounty of their remote paradise.

Years pass and they both grow into tall, strong and beautiful teenagers. They live in their hut, spending their days together fishing, swimming and diving for pearls. Richard and Emmeline (now portrayed by Christopher Atkins and Brooke Shields) begin to fall in love, although this is emotionally stressful for them because of their lack of education on human sexuality, and are unable to express their physical attraction for one another. Emmeline is frightened after she begins her first menstrual period, and is nervous when Richard wants to inspect her for a cut. Richard himself has many questions about what is happening to them as they begin to grow and develop, but has no means of getting answers. He wishes to hold and kiss her, but when she rejects him he goes off and masturbates.

Emmeline, ever curious, goes to the other side of the island and discovers an impressive, Moai-like idol there. Instinctively recognizing that this is a holy place, she prays. Later she tells Richard that she thinks Paddy was wrong and the "bogeyman", who bleeds like Jesus, is actually God. However, Richard berates her for disobeying the "law".

Sometime later, their relationship suffers a major blow when a ship appears for the first time in years. Richard's desire to leave comes into conflict with Emmeline's desire to stay, and she does not light the signal fire. As a result, the ship passes by without noticing them. Richard's fury leads him to kick her out of their hut. They make up for this fight after Emmeline is nearly killed upon stepping on a stonefish and Richard admits to his fear of losing her. Emmeline eventually recovers and after she regains her ability to walk, they goskinny dipping in the lagoon and then swim to shore. Still naked, Richard and Emmeline share some fruit in the vegetation overlooking the idol, and discover sexual intercourse, and thenpassionate love. Casting all their unease aside, they regularly make love from then on while occasionally spending their time together in the nude. Due to their regular sexual encounters though, Emmeline soon becomes pregnant. Although this is clear to the viewer, Richard and Emmeline themselves do not know about the truth of childbirth and human reproduction and simply assume that the physical changes in Emmeline's body is her getting fat. They are also stunned when they begin to feel the baby move inside Emmeline and simply assume it's her stomach causing the movements.

One night Emmeline goes missing. While Richard looks for her in the forest, he witnesses a human sacrifice committed by the natives of another island at the idol shrine where they sacrifice some enemy natives. As he flees, Richard hears Emmeline cry out and follows the sound just in time to help her give birth to a baby boy, whom they name Paddy, in remembrance of Paddy Button. Later on, frustrated at not knowing how to feed the baby, Emmeline holds him in her arms to appease his crying, and learns how to feed him as the baby instinctively starts sucking on her breast. The young parents spend their time playing with Paddy as he grows, teaching him how to swim, fish and build things and happily raising him.

As the family plays, a ship led by Richard's father Arthur (William Daniels), approaches the island, and sees the family playing on the shore. As they are completely covered in mud, Arthur assumes these are natives, not the young couple they have been searching for all these years. Richard, having lost all of his desire to leave the island, agrees with Emmeline with an exchange of glances, and they let the ship pass (not realizing that Arthur is on the ship).

One day, the young family takes the lifeboat to visit their original homesite. While waiting for Richard, Emmeline and Paddy remain in the boat. Emmeline falls asleep and does not notice when Paddy brings a branch of the scarlet berries into the boat. She awakes as Paddy tosses one of the oars out. The tide was sweeping the boat out into the lagoon and Richard, hearing her calling, swims to her, followed closely by a shark. Emmeline throws the other oar at the shark, striking it and giving Richard just enough time to get into the boat. Though close to shore, they are unable to return or retrieve the oars without risking a shark attack. They paddle with their hands, but to no avail; the boat is caught in the current and drifts out to sea.

After drifting for days in the boat, Richard and Emmeline awake to find Paddy eating the berries he picked. Realizing that these are the poisonous berries Paddy warned them about, they try to stop him, but he had already swallowed a few. Hopeless, Richard and Emmeline eat the berries as well, lying down to await death. A few hours later, Arthur's ship finds them floating in the boat. Arthur asks, "Are they dead"? and the ship's captain (Alan Hopgood) answers, "No, sir. They're asleep". And Arthur is relieved.

The Blue Lagoon is a 1980 American romantic adventure film directed by Randal Kleiser. The screenplay by Douglas Day Stewart was based on the novel The Blue Lagoon by Henry De Vere Stacpoole. The film stars Brooke Shields and Christopher Atkins. The original music score was composed by Basil Poledouris and the cinematography was by Néstor Almendros.

The film tells the story of two young children marooned on a tropical island paradise in the South Pacific. With neither the guidance nor the restrictions of society, emotional feelings and physical changes arise as they reach puberty and fall in love.

Shields was 14 years old at the time of filming and later testified before a U.S. Congressional inquiry that older body doubles were used in some of her nude scenes. Also, throughout the film in frontal shots her breasts were always covered by her long hair or in other ways. It was also stated that Shields's hair was glued to her breasts during many of her topless scenes.^[1] The film received a MPAA rating of R.